Sunday, March 18, 2007

Osibisa - Osibisa (1971)



First album from Ghanian rock collective, fusing the 'criss cross rhythms that explode with happiness' (the translation of the band's name) of their native highlife music with acid guitar, prog sensibilities and jazz improvisation.

'Osibisa' was formed in London, England in 1969. The nucleus of the band was from Ghana, others, like the unbelievable guitarist Wendell Richardson, came from Antigua; the bass player who was simply known as Spartacus (I'm Spartacus!) was from Grenada; the keyboard player from Trinidad; and the saxophonist was from Nigeria. However, what they all had in common was great musical rhythm, enthusiasm, and ability. Their music was borrowed from Jazz, Rhythm & Blues, African based drum music, Rock, Pop, and Latin Groove, to create quite an original sound. In Ghanaian 'Osibisa' means 'criss-cross rhythms that explode with happiness'. Now, how one word can say all that I do not know, but that is exactly how the music sounds, and they are the very words that introduce the first song on this, Osibisa's first, album aptly titled "Dawn". Like a breath of fresh air, Osibisa's music first came to prominence with the release of their first single "Music for Gong Gong'', included here on their first album, which was released at the tail end of 1970. It is a piece of music that will get even the most conservative of souls out boogieing on the dance floor. So it was great expectations when their first album was released in the early days of 1971 and the boys did not disappoint, arriving as it did when Prog-Rock was in its heyday. Each of these percussive driven songs blew away all the pretensions of those serious minded twiddlers in the likes of Yes, King Crimson, etc. Osibisa's unbridled enthusiasm was so infectious, you could not help but be dragged along by the sheer exuberance of it all. Although Osibisa's main strength was in their live concerts, they could also drum up a storm (quite literally) in the studio. Nobody at the time could have realized how influential their music was going to be in years ahead. Osibisa today is still known as the Godfather of 'World Music', and the effect of their big hit single "Sunshine Day" (1975) was to change the disco scene for ever. But this, their first album, was to set the template of the Osibisa sound for eternity. The band is still going today, albeit with only two of the seven original members left, which actually is not bad by today's standards considering that the band is now in their 35th year. Many of the songs on this collection are still in the band's live repertoire today. Like all good albums, the songs on this set play like a live concert. Opener "Dawn", which begins with the immortal translation of Osibisa, builds on a rhythm of percussion until giving way to let the individual soloist bring the song to a rousing conclusion - some seven and a half minutes later. You then get five other songs of criss-cross rhythms before being brought to a riotous climax by "Think About The People". When a band starts off its career with such a strong album, it is often difficult to keep up the standards set by its debut (especially with an ever changing line-up - Wendell Richardson, the band?s simply stunning lead guitarist, was at one stage lured away by British rockers "Free"). So it is perhaps true to say that Osibisa's studio output has been a little patchy since then, although their live concerts have never been short of marvelous, always led by Teddy Osei out front on drums, sax, fluttering flute, and vocals. This, their first album, is nothing short of a diamond. (Kim Fletcher)

Tracklist:

1. Dawn
2. Music for Gong Gong
3. Oyiko Bia
4. Akwaaba
5. Oranges
6. Phallus C.
7. Think About the People

Listen to 'Dawn':



New link:

http://rapidshare.com/files/19323550/Osibisa_-_Osibisa__1971_.rar

Osibisa

Wednesday, January 31, 2007

Trees - The Garden Of Jane Delawney (1970)



Debut album by the Trees, easily in the top three UK folk rock bands of the 70's, if not all time. Dating from 1970 the album blends trippy, twin lead guitar, West Coast acid rock with lilting English folk. The delicate female vocals of Celia Humphries and a haunting production weave a dark magical Celtic spell over misty musical moorlands. Captivating, beautiful and timeless.

Tracklist:

1. Nothing Special
2. Great Silkie
3. Garden of Jane Delawney
4. Lady Margaret
5. Glasgerion
6. She Moves Through the Fair
7. Road
8. Epitaph
9. Snail's Lament

Listen to 'Lady Margaret':



New link as requested.

http://rapidshare.com/files/23984566/TTGOJD.rar

Garden of Jane Delawney

Thursday, January 11, 2007

Ruthann Friedman - Lost Recordings (1965-1971)




Beautiful lost recordings from California folksinger Ruthann Friedman -- probably best known as the author of The Association's hit "Windy", but a heck of a great artist on her own! The tracks here are all pulled from Ruthann's private tapes, and document not only her fantastic (yet under-discovered) talent -- but also the fading glimmer of personally crafted folk music as the California scene of the 60s folded into the mainstream of the 70s. Many numbers often have a bit of a jazzy flourish -- if not in the guitar, then in the vocal inflections -- a style that's reminiscent of Joni Mitchell at her early best, but much more personal and intimate here. Titles include Friedman's own take on "Windy", plus "Sky Is Moving South", "Looking Glass", "Silver Bird", "Between The Lines", "Typical Sunday", "Hurried Life", and "That's All Right". -Dustygrooves-

Thank you Ruthann Friedman for your comments!

Tracklist

1. Hurried Life
2. That's All Right
3. To Treat a Friend
4. Sky Is Moving South
5. Looking Glass
6. Silver Bird
7. Between the Lines
8. I'm Askin'
9. Windy
10. Typical Sunday
11. Southern Comfortable
12. Alone at Last
13. Boy Took a Ticket
14. Method Madness
15. Little Girl Lost & Found

Monday, January 8, 2007

Various Artists - Garden of Delights (2006)



London's hip DJs - in particular those involved with the Big Chill, who admittedly do have a background in fine alternative music with the Cooking Vinyl label - have suddenly discovered folk music and folk rock and this compilation features the work of several seminal artists such as Duncan Browne, the Dransfields, Donovan, Pentangle, Shelagh McDonald, Decameron, Gryphon, Caravan (OK, not folk in the slightest but still good), Davey Graham, Shirley Collins, Fotheringay, Dave Swarbrick and Prelude (with their timeless cover of Neil Young's "After The Goldrush") A good place to start investigating the genre everyone is talking about. (FE)

1. Journey -- Duncan Browne
2. It's Dark In Here -- Dransfield
3. War Drags On -- Donovan
4. Rod's Song -- Shelagh McDonald
5. Sally Free And Easy -- Pentangle
6. Rock And Roll Woman -- Decameron
7. Sunset Eyes -- Davy Graham
8. Both Sides Now -- The Johnstons
9. Here Comes The Rain -- Trader Horne
10. All Tomorrow's Parties -- Oyster Band & June Tabor
11. In The Land Of Grey And Pink -- Caravan
12. Ploughboy's Dream -- Gryphon
13. Goat Island -- John Renbourn
14. Columbine -- Lal Waterson & Oliver Knight
15. Sky Is A Blue Bowl -- Spiro
16. Just As The Tide Was A Flowing -- Shirley Collins & The Albion Country Band
17. It Suits Me Well -- Dave Swarbrick
18. Sea -- Fotheringay
19. All The Good Times -- Mr Fox
20. After The Goldrush – Prelude

http://rapidshare.com/files/10641912/VAGODABCFC1.rar

h**p://rapidshare.com/files/10222346/VAGODABCFC2.rar

Garden of Delights: a Folk Comp

Tuesday, December 19, 2006

Various Artists - Heavy Christmas (1971)












Just in time for Xmas! Rare early '70s Brain release in official fold out CD digi-pak form, featuring bands playing Christmas related material. Don't let this put you off. This is a collection of mind blowing acid rock and progressive mayhem. Features Irus, Dies Irae, Joy Unlimited and more! Fantastic festive stoners.... WOW (an office favourite)! [the Freak Emporium]

1. libido - evolution
2. marcel - god rest ye mary gentlemen
3. joy unlimited - All heaven and all earth are silent
4. virus - mary meets tarzan
5. Dies Irae - silen night
6. libido - come on everybody
7. Ardo dombec - heavenly rose
8. Dies Irae - shepard's song
9. Ardo dombec - open the door, open your mind
10. virus - x-mas submarine
11. flute & voice - Ecce Navicule
12. libido - come on everybody - special radio version

Bitrate 256

http://rapidshare.com/files/6438961/VAHC.rar

Thursday, December 14, 2006

Influence - Influence (1968)












Personnel: JACK GEISINGER bs, gtr A B ANDREW KEILER vcls A B LOUIS MCKELVEY gtr A B DAVE WYNNE drms A B BOB O ISLAND (BOB PARKIN) keyb'ds B WALTER ROSSI gtr B
ALBUM: 1(B) INFLUENCE (ABC ABCS 630) 1968
Formed as a quartet in late 1966, this act have an interesting and almost global pedigree. English-born singer Andrew Keiler moved firstly to South Africa in 1964 and together with Irish-born guitarist Louis Campbell McKelvey played in the Johannesburg R&B outfit The Upsetters. McKelvey left this act in late '65, to join The A-Cads, although he was too late to appear on their album, despite being pictured on the sleeve. Andrew Keiler too left The Upsetters, recording a solo album in late 1965 before moving to Montreal in late 1966, along with McKelvey and fellow A-cad, Hank Squires.
In Canada, Squires moved into production working with The Haunted, amongst others, and McKelvey briefly played with Les Sinners and Our Generation before reuniting with Keiler in Influence. Czech-born bass player Geisinger came in from the Soul Mates and English-born drummer Dave Wynne was recruited from The Haunted.
To complete the line-up, two other former Soul Mates, Rossi and Island joined after playing on a Wilson Pickett tour in June 1967. The band then relocated to the US...
David Wynne recalls:- "We played Montreal in the Spring of '67, then went to Toronto Village and played one of the clubs there until September when we went to New York and cut the album with ABC. McKelvey was involved in production. Afterwards we were offered another deal by Columbia which was turned down by the band, and at that point I left and went back to Canada and school. You were right about the album, but it may have had a little impact. Our publicist at ABC was dating Peter Townshend and reportedly he liked the opera idea. As musicians and artists the Influence really outclassed anything else around - Walter Rossi as I said was a superb guitarist. You should have heard us live..."
"The entire band except me had done hard time with mature audiences. Not many Canadian musicians had had the experience of recording in or touring the U.S. as Wally, Jack and Bobo had with Wilson Pickett. They were also all seasoned musicians. (I heard, from Buddy Miles I think, that Steve Cropper had said he thought Wally the better guitarist). It was also innovative, and had confidence that it was cutting edge and could compete on any stage. Toronto Village in Summer 1967 was great - lots of talent and a real buzz. The imbalance in the band was that we had two front men, Bobo and Andy, and while it was never pushed I think after I left that it became an issue - I bridged both sides and may have helped keep some of it together. At the time there seemed enough room for everyone, but it was really an amalgam of two bands in one - the Wally, Jack, Bobo and Louis and Andy. Yum Yum who replaced me was definitely associated with the former group. I had started the band with Louis, but felt much more at home musically with Wally, Jack and Bobo. I was not a fan of British drummers (Baker, Moon) but American black funk and jazz drummers. I think I mentioned the time at the Barrel, where watching and talking to Rashid Ali (Coltrane's second drummer with Elvin Jones) and hearing new wave drumming was a priceless clinic..."
Their album makes it easy to understand why they chose their name, as it is more or less a hodgepodge of styles without much consistency. Many satirical elements betray the strong influence of Zappa, on whom they clearly lean too heavily. Nevertheless their love of discordant riffs and 'wrong' modulations works brilliantly on at least two tracks: We Are Here, a sour masterpiece on lost love and Natural Impulse. Lyrically Zappa is omnipresent as becomes hearable in the choice of admittedly transitional subject-matter such as sodomy (on County Fair) and the longing of the gentry to mingle with the peasants (on Sir Archibald). Parodies on The Marcels, Little Richard and the hippie-movement in general sound dated, although they probably were modern in 1968. Worth trying, but don't pay too much.
After Influence broke up, McKelvey and Geisinger played in the Canadian band Milkwood. Geisinger later left Milkwood for Luke and The Apostles. Rossi meanwhile, played with The Buddy Miles Express briefly before joining Geisinger in Luke and The Apostles.
Walter Rossi later played with Charlee, Moonquake and Bombers. Jack Geisinger also later played with Moonquake, Rockers and Crescent Street Singers. Bob Parkin committed suicide in 1970.
Walter Rossi is also rumoured to have played on an album by Thee Muffins in 1966.
(Nick Warburton/Marcel Koopman/Vernon Joynson/Tertius Louw)

http://rapidshare.com/files/6808084/II.rar

Music kindly submitted by Unicorn. Special thanks!

Tuesday, December 12, 2006

Butch Engle & The Styx - No Matter What You Say (1967)













Garage rock and some nice flower psychedelia (with the usual ingredients of farfisa organ and loads of fuzz guitar) from the very early hippiedays by this widely unknown Californian band. Most of the songs were written by Ron Elliott of the BEAU BRUMMELS, but the band doesn´t sound "folky".

Tracklist

1 Hey, I´m Lost 2:32
2 Left Hand Girl 2:27
3 No Matter What You Say 2:46
4 Smile Smile Smile 1:52
5 I´m A Fool 2:35
6 I Call Her Name 2:45
7 She Is Love 2:14
8 Going Home 2:07
9 I Like Her 1:56
10 Hey, Im Lost (different version) 2:31
11 Puppetmaster 3:48
12 If You Believe 2:27
13 Tell Me Please 2:07
14 You Know All I Want 1:56

Comment and mp3 files kindly contributed by Unicorn. Special thanks!

http://rapidshare.com/files/6798006/BETSNMWYS.rar

No Matter What You Say